Mark Millar's foray into the character's possible future aside, it's safe to say that there hasn't been a Wolverine story this good since Aaron's last outing with the character. My only complaint is that Wolverine wears his black X-Force costume throughout most of the story, and to be honest, I'd rather not be reminded of that book's existence if and when it can be helped. ![]() In fact, I think his recent decision to start inking his own pencils has made his work even better, and I hope he continues to do so in the future. Artist Ron Garney has always had a handle on delivering exciting action sequences, and he certainly doesn't disappoint here. ![]() There's a definite sense of equilibrium here, one that I've come across only rarely since Frank Tieri's run on Wolverine several years ago. Whereas a good deal of writers struggle to find a balance between the human and animalistic sides of the character, often simply going with one and ignoring the other, Aaron writes Wolverine as he should be: perceptive and intelligent, but brutal and occasionally reckless as well. ![]() Just as it was in Aaron's "Get Mystique" storyline, Wolverine's inner monologue is the driving force behind the plot.
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